Publications

RB_COV_1.jpg

 I am grateful to John Wolseley for permission to use this beautifully observed and realised image for my book cover. The title poem is, in part, a response to the artwork from which this detail is taken.

Rare Bird

Recent Work Press

Canberra, Australia

Copyright James Lucas, 2021

ISBN: 9780645008913

Reviewed: Australian Book Review August 2021

Commended: Anne Elder Award 2021. ‘This is a work of dexterity, musicality and invention.’

Cover Image: Untitled triptych (2002)- detail. Copyright John Wolseley, reproduced with permission

Use the link above to Recent Work Press to see their excellent range of Australian poetry titles.

‘James Lucas has cut and polished each poem to perfection in this astonishing first collection. He demonstrates compelling mastery of form, returning light and fire from each line the way a diamond disperses light from its internal facets. This is a poetry of rare wit, of linguistic fluorescence that few can match. Landscapes shimmer, the mined rough of experience becomes dazzling, the world shines. From the temperature and pressure of his intelligence and skill, Lucas has made this gem of a book out of the host rock of language. This is a book I’m certain will endure.’ Judith Beveridge

James Lucas’s poetry integrates intelligence and emotion, lyricism and wit and assurance. These poems effortlessly move from matters as diverse as the ordinary beauties of parenthood, cricket and jazz to the life of the mind and even the extraordinary challenges of mountain climbing. He does so with an easy, confident flourish, as if the poem had arrived fully formed. Most impressive, though, is his control of form: in his villanelles, sestinas and particularly his sonnets, he shows such a mastery of craft and fineness of touch. Lucas is, indeed, a rare bird’ John Foulcher

In the vivid Rare Bird, Aphrodite, Patrick White, Squirrel Nutkin and other ‘cognoscenti’ share binoculars, field guide, and camera. ‘Feather-wrapped’ but ‘body-piercing’ observations of the relationships between the worlds of humans and nature, of art, family, politics, sport and travel, of the dead, the living and the dying, yield beautiful and compelling ‘love songs on a loop’, pantoums, sestinas, sonnets, villanelles, amd more forms ‘born of origami folds’. James Lucas’s poems explode with brilliance, warmth and music’ Stuart Barnes


Journal Publications

Poetry

‘Open the Frog App’, cordite poetry review 106, 2022; ‘sunflowers’, Rabbit 35, 2022; ‘Dodge the Dodo’, cordite poetry review 105, 2022; ‘Feral’ in Measures of Truth, Newcastle Poetry Prize Anthology 2020; ‘Rare Bird’, Communion 13, 2020; ‘Tomorrow’, Island 158, 2019; ‘Rhyme’, ‘Missing’, ‘Leaf-Curling Spider’, Quadrant 561, 2019; ‘banksia’ in Ear to Earth, Henry Kendall Award Anthology 2017; ‘Karma Bin’, cordite poetry review 82, 2017; ‘At Western Plains’, cordite poetry review 80, 2017; ‘Realisms’, Southerly 76.1, 2016; ‘Square Peg’, cordite poetry review 52, 2015; ‘Short Story’, ‘Long Drive’, Contrappasso 9, 2015; ‘The Garden’, cordite poetry review 51.1, 2015; ‘Jazz’, Heat new series 6, 2003; ‘The Way We Read Europeans’, Overland overflow (e-book) 2003; ‘Ode to Quentin Tarantino’, Meanjin 4: 2002; ‘Holiday Snaps’, New England Review 16: 2002; ‘Royal Hotel’, ‘Christmas, Kangaroo Valley’, ‘Open Season’, ‘Elizabeth Bay Road’, Heat new series 2, 2001; ‘i.m. John Forbes’, cordite poetry review 6/7, 2000; ‘Ode to Wassily Kandinsky’, Scarp 35, 1999; ‘Jetlag’, Wedge 4/5, 1998; ‘Sydney’, cordite poetry review 2, 1998; ‘bonsai’, Salt 10, 1997; hex (chapbook), barque press, Cambridge, 1996; body clock (chapbook), barque press, Cambridge, 1996; Five Poets, coypu press, Cambridge, 1995; ‘rounded’, Southerly (Summer 1994/1995)

Academic

‘Fiction, Politics, and Chocolate Whipped Cream’: Wallace Stevens’ “Forces, the Will, and the Weather”’, ELH 68, 2001, John Hopkins University Press